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Showing posts with label emotion. Show all posts
Showing posts with label emotion. Show all posts

Tuesday, October 18, 2011

Never Believed In Angels Anyway


 "Never Believed In Angels Anyway"
Acrylic on canvas
24"x36"

This was painted entirely with my hands/fingers (no brushes!) in a middle-of-the-night burst of inspiration. Over the past few months several people close to me have lost people close to them and I'd been thinking a lot about the relationship between legacy, mortality, and metamorphosis. There are actual, literal tears mixed with the paint in this piece.

Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

Wednesday, August 31, 2011

That Summer Night That Wasn't


"That Summer Night That Wasn't"
Acrylic on canvas, 20"x16" 

 Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

Wednesday, May 18, 2011

Bittersweet Departure


 "Bittersweet Departure"
24.5"x24.5", acrylic on hand-stretched linen

Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

Monday, April 25, 2011

Sabine, France 1944


 "Sabine, France 1944"
Acrylic on canvas, 16x20

I've written in the past about a book I found at a thrift store called "The Family of Woman" which is filled with black and white photography of everyday scenes. There is no commentary about the images so you don't really know what's going on; which is perfect for people like me who like to invent new realities! Every time I flip through the book I am captivated by the face of this little girl sitting on a crate next to her mother who is singing and playing the accordion for tips. Though I don't know their actual story, when I see it I see WWII-era France and the resilience that comes from facing a tragedy without giving up hope for the future.

Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

Monday, April 4, 2011

The Light Within


"The Light Within"
 18x24, acrylic on canvas

Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

Monday, March 7, 2011

Waiting

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 "Waiting" If you've been paying attention, you've probably noticed a persistent theme in much of my art: The loneliness that goes hand-in-hand with not really being alone.

Sunday, March 6, 2011

Cate

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The next edition in the 6x6 series is Cate. I believe I mentioned it in an earlier post but I'll throw it out there again... When I decided to embark on this series of small paintings I had to make a decision about composition: simply paint smaller versions of my typical work, or crop the faces in tight. I chose to paint the faces nearly the same size as I usually do and severely crop all additional information. It's interesting to me to see how they're coming together and how even though the viewer has nothing to go on, the expressions are able to tell so much of the story of the piece.

All pieces from the 6x6 series are six inches square and painted on untreated oak board. They are being sold in my Etsy shop for only $40 each.

Monday, February 7, 2011

This Is My Body


"This Is My Body" Willing submission. Coming before the other vulnerable, unclothed, keeling, head bowed. Letting go, giving of oneself. Placing complete trust and faith in the other. Powerful by the act of shedding power. A eucharist of self.

Tuesday, February 1, 2011

A Prison Of My Own

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 "A Prison Of My Own" I try very hard to be content, and sometimes even happy, with my world. But the truth is, I am never satisfied. With anything. Ever. I always feel like I am trying to run away and leave something behind, while simultaneously running toward something "better". Even though I have no idea what it is that I'm running from or toward. This is a fairly literal representation of how I feel most of the time: running scared, blind, and ready to trip in my own darkness.

Tuesday, December 7, 2010

Set Apart For An Instant

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 "Set Apart For An Instant" If I could choose a super power it would be Invisibility. I am a rather socially awkward person and am much more comfortable observing over participating. A lifetime of observation has left me with some favorite moments. Not necessarily individual moments (though there are some great ones!), but moments we share without knowing. We are all guilty of masking our true feelings; especially, it seems, from those we care about most. This painting captures that moment of true emotion just before the smile-for-the-world covers it up.

Monday, November 22, 2010

Convergence

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 "Convergence" Behind the tidiness of converging lines there is a freeform textural element; the grid of lines represent our interactions within society while the swirling element underneath represents the chaos and turmoil that lurks just beneath the surface in all of us.

Or, ya know, something like that...

One of these days I'll be comfortable talking about my abstracts and won't sound like such a dork when I try to explain them. For now, you get this!

Monday, November 15, 2010

Odette

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 Here she is... the completed "Odette". (See the making of her here.) To finish her off I put a glaze of Burnt Umber over the whole thing in a very haphazard fashion. This helped even out and tone down the colors and gave it a richer, almost "antiqued", feel. You can't see it in this picture but the edges of the canvas are beveled and painted a dark brown-black that has been feathered into the painting. The effect is like torn paper edges, as if the portrait was taken from a larger picture or torn from an old scrapbook. When I was done with her I stood back and asked aloud, "So, what's your name?" Odette was the name that popped in my head so I took that as her answer. 

Sunday, November 14, 2010

The Birth of "Odette"

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I always enjoy watching and learning from other artists, so I've decided to share a bit about the process that goes into my painting. I don't use the same method in every painting; partly because the desired outcome can determine the method used to get there, and partly because I like to experiment. I say, "I wonder what would happen if I...." a LOT! I just finished a painting of a woman called "Odette" and took pictures at the end of each major step in the process. Here goes...

 The first step is a rough sketch. I use this to map out body position and, to some extent, the light and shadows. I don't like to plan too much in a painting as I much prefer to throw general ideas out and see where they take me. I don't usually keep sketches since most of them are done on the backs of recycling on their way to the bin.










Next I sketch it out on the canvas (or whatever) first lightly in pencil, then in thinned black paint. I'll add or subtract elements at this point, such as the chair and wall corner seen here. At this stage I like to have the basic premise worked out but I'm still pretty non-committal about everything from color to details.











After that I put in the shading, I limit it to about 2-3 shades of gray plus basic black and white. This is a pretty important stage in the game. On the one hand, every single thing you see here will get covered in another few layers of paint. On the other hand, most of it will show through to some extent so it needs to be on target. This is usually where I start thinking of what colors to add where. I rely heavily on intuition and whim when making those decisions!









 I like to keep my palette pretty limited so the whole piece feels congruent. I like a lot of contrast but find too many colors to be distracting. This, of course, is purely personal preference. When I looked at the expression on this woman's face I felt it showed a bit of sadness, a bit of boredom, and a bit of resignation. It called for cool, subdued colors so I chose muted purples and greens. Both background colors and her dress are all from the same base color, the differences were achieved by adding white or dark brown. You can see how the shading from the previous step is showing through this first layer of color.






 This next step involves more color, usually just a second layer of a shade similar to that applied in the previous step. This is where I start adding in some of the lines lost after the first step. I do a lot of outlining and a lot of general scribbling to finish my work. I want those to be (and look) deliberate so they have to be applied toward the end.










The last step means it's finished.... and I'm not going to show that here! You'll have to check out the next post to see the completed "Odette"!




Wednesday, November 3, 2010

Self Sufficient

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"Self Sufficient" Do NOT make me explain this one. My mother reads this blog!

Saturday, October 30, 2010

Alone Again

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 Sometimes you feel alone because you are, and sometimes you feel alone with someone right there next to you.

Wednesday, September 22, 2010

Enigma

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 "Enigma" Until now I haven't really posted any of my abstracts; mostly because I don't really know what to say about them! In many ways these are the most personal paintings I do. I am compelled to paint, need to do it in the same way I need to eat or breathe. Abstracts come out as a natural by-product of life. They come from some deep place in my soul that I can't honestly say I even understand. So I'm letting these out a little now thinking perhaps I can understand them and where they come from.

Wednesday, September 1, 2010

Going With the Flow

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 "Going With the Flow" This was taken from a 60s era photograph of Twiggy by Richard Avedon. It was a very intricate portrait with the light reflecting perfectly off her billowing hair. I wanted to challenge myself to take something that intricate and strip it way down to basic shapes and just a few shades of gray. I finished it off with a coat of polyurethane gloss to bring back in the idea of reflected light. I love how this represents a single moment in time that could never be replicated. The title speaks to those moments you can't control and have to just step back and go with the flow.

Wednesday, August 18, 2010

Feelin' Kinda Sketchy

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"Feelin' Kinda Sketchy" came from a drawing that came from a photo of yours truly. Everything you see in this painting was originally intended to be underneath several more layers of paint. I wanted it to be dark with a slightly frantic feel, which is exactly how I was feeling that day: dark and frantic. After I did some very rough shading with black and blue paint, I stepped back and realized the look and feel I wanted was already there! Sometimes you just gotta know when to walk away.