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Showing posts with label lost. Show all posts
Showing posts with label lost. Show all posts

Tuesday, October 18, 2011

Never Believed In Angels Anyway


 "Never Believed In Angels Anyway"
Acrylic on canvas
24"x36"

This was painted entirely with my hands/fingers (no brushes!) in a middle-of-the-night burst of inspiration. Over the past few months several people close to me have lost people close to them and I'd been thinking a lot about the relationship between legacy, mortality, and metamorphosis. There are actual, literal tears mixed with the paint in this piece.

Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

She Just Went For A Walk


 "She Just Went For A Walk"
Acrylic on canvas
36"x24"

Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

All Stitched Up With Nowhere To Go


 "All Stitched Up With Nowhere To Go"
Acrylic on canvas
20"x16"

Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

Monday, July 11, 2011

Night Rider


 "Night Rider"
Acrylic on stretched canvas, 16x20

Several months ago I was invited to submit work to a bike themed show at a local gallery. Though I had never before painted anything involving a bicycle, I decided to challenge myself to do it. The resulting painting (see it here) is very much a portrait of the relationship between the rider and the bike. I had so much fun with the challenge, I decided to do a second one using the same composition but changing everything else. Where the first was subdued, almost like a memory from years gone by, this version is stark and active, as though the bike has gone from an object of leisure to one of safety and necessity. It's so interesting to see how a simple change of color and brushstroke can tell a completely different story!

Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

Wednesday, May 18, 2011

Bittersweet Departure


 "Bittersweet Departure"
24.5"x24.5", acrylic on hand-stretched linen

Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

Saturday, April 9, 2011

Vivienne


 "Vivienne"
18x24, acrylic on canvas

Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

Tuesday, February 1, 2011

A Prison Of My Own

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 "A Prison Of My Own" I try very hard to be content, and sometimes even happy, with my world. But the truth is, I am never satisfied. With anything. Ever. I always feel like I am trying to run away and leave something behind, while simultaneously running toward something "better". Even though I have no idea what it is that I'm running from or toward. This is a fairly literal representation of how I feel most of the time: running scared, blind, and ready to trip in my own darkness.

Saturday, January 22, 2011

In The Wings

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In another world I am
Not shy
Not awkward
Not afraid
I sing, I dance
Elegant, graceful
Star of stage and silver

But this world
This life
I wait in the wings








Sunday, January 9, 2011

Just One More Chapter

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"Just One More Chapter" It's been over a month since my last post. Blame the magic that is Christmas.  We spent the week after Christmas at the Oregon coast. Know what happens there at the end of December? Absolutely nothing. Unless you count rain, wind, and hail. We all got a lot of reading done that week; including my daughter who was so engrossed in her book she didn't even notice me sketching her!

Tuesday, December 7, 2010

Set Apart For An Instant

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 "Set Apart For An Instant" If I could choose a super power it would be Invisibility. I am a rather socially awkward person and am much more comfortable observing over participating. A lifetime of observation has left me with some favorite moments. Not necessarily individual moments (though there are some great ones!), but moments we share without knowing. We are all guilty of masking our true feelings; especially, it seems, from those we care about most. This painting captures that moment of true emotion just before the smile-for-the-world covers it up.

Monday, November 15, 2010

Odette

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 Here she is... the completed "Odette". (See the making of her here.) To finish her off I put a glaze of Burnt Umber over the whole thing in a very haphazard fashion. This helped even out and tone down the colors and gave it a richer, almost "antiqued", feel. You can't see it in this picture but the edges of the canvas are beveled and painted a dark brown-black that has been feathered into the painting. The effect is like torn paper edges, as if the portrait was taken from a larger picture or torn from an old scrapbook. When I was done with her I stood back and asked aloud, "So, what's your name?" Odette was the name that popped in my head so I took that as her answer. 

Sunday, November 14, 2010

The Birth of "Odette"

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I always enjoy watching and learning from other artists, so I've decided to share a bit about the process that goes into my painting. I don't use the same method in every painting; partly because the desired outcome can determine the method used to get there, and partly because I like to experiment. I say, "I wonder what would happen if I...." a LOT! I just finished a painting of a woman called "Odette" and took pictures at the end of each major step in the process. Here goes...

 The first step is a rough sketch. I use this to map out body position and, to some extent, the light and shadows. I don't like to plan too much in a painting as I much prefer to throw general ideas out and see where they take me. I don't usually keep sketches since most of them are done on the backs of recycling on their way to the bin.










Next I sketch it out on the canvas (or whatever) first lightly in pencil, then in thinned black paint. I'll add or subtract elements at this point, such as the chair and wall corner seen here. At this stage I like to have the basic premise worked out but I'm still pretty non-committal about everything from color to details.











After that I put in the shading, I limit it to about 2-3 shades of gray plus basic black and white. This is a pretty important stage in the game. On the one hand, every single thing you see here will get covered in another few layers of paint. On the other hand, most of it will show through to some extent so it needs to be on target. This is usually where I start thinking of what colors to add where. I rely heavily on intuition and whim when making those decisions!









 I like to keep my palette pretty limited so the whole piece feels congruent. I like a lot of contrast but find too many colors to be distracting. This, of course, is purely personal preference. When I looked at the expression on this woman's face I felt it showed a bit of sadness, a bit of boredom, and a bit of resignation. It called for cool, subdued colors so I chose muted purples and greens. Both background colors and her dress are all from the same base color, the differences were achieved by adding white or dark brown. You can see how the shading from the previous step is showing through this first layer of color.






 This next step involves more color, usually just a second layer of a shade similar to that applied in the previous step. This is where I start adding in some of the lines lost after the first step. I do a lot of outlining and a lot of general scribbling to finish my work. I want those to be (and look) deliberate so they have to be applied toward the end.










The last step means it's finished.... and I'm not going to show that here! You'll have to check out the next post to see the completed "Odette"!




Saturday, October 30, 2010

Alone Again

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 Sometimes you feel alone because you are, and sometimes you feel alone with someone right there next to you.

Wednesday, August 18, 2010

Feelin' Kinda Sketchy

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"Feelin' Kinda Sketchy" came from a drawing that came from a photo of yours truly. Everything you see in this painting was originally intended to be underneath several more layers of paint. I wanted it to be dark with a slightly frantic feel, which is exactly how I was feeling that day: dark and frantic. After I did some very rough shading with black and blue paint, I stepped back and realized the look and feel I wanted was already there! Sometimes you just gotta know when to walk away.

Wednesday, May 26, 2010

Above

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"Above"  The vast majority of my paintings come from photographs that I've found in books, magazines, or online. I had rescued a stack of magazines from my mum's recycling bin to tear out pictures of pretty ladies. All the pages I wanted to keep were in a stack which, due to my stupor-powers, fell all over the floor. One page was lying on top of another, cutting off the top of a head. I thought the composition was pretty cool that way, so painted it! This one is done entirely with two paints: brown and pthalo blue. All the shading is done through layering the colors using both wet and dry-brush techniques. Fun experiment and I'm diggin' the results!

Tuesday, May 18, 2010

Moonlight

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 "Moonlight" is yet another inspired by a 1930s era photo by George Hurrell. As I write this, I can't think of the name of the actress as I had never heard of her. She was quite striking in her full-length velvet cape though! I primed this board with matte black paint then painted her with slightly thinned paints to let the darkness show through. The many, many folds and contours of the cape were a fun challenge!

Wednesday, May 5, 2010

In Deep


"In Deep" This literally came to me in a dream. I was talking to someone about my new painting and I pointed to a wall where this was hanging. When I woke up I figured I had two options: 1) have the image plague me forever, or 2) paint the bloody thing and be done with it.