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Showing posts with label artwork. Show all posts
Showing posts with label artwork. Show all posts

Tuesday, October 18, 2011

She Just Went For A Walk


 "She Just Went For A Walk"
Acrylic on canvas
36"x24"

Original fine art by Vancouver, Washington based artist Jamie Lutz Carroll. Buy acrylic paintings, ink and gouache illustrations, limited edition archival prints, and custom and commissioned artwork.

Thursday, March 17, 2011

Susy

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 "Susy" This is a variation on a painting I did a few years ago of a young black woman during the civil rights movement. There is something about the hope and sense of resolve in this image that captivates me and I am drawn to paint her in different ways, each time a bit different. This version is in my 6x6 Series, a group of portraits painted on six inch square oak boards. All are available for only $40 each in my Etsy shop.

Monday, February 21, 2011

Patti

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 "Patti" A few weeks ago I did a small 6x6 painting for a show featuring only work of that size. I found it to be a fun challenge to work so small and chose to treat it more as a "cropped image" than to just paint a smaller composition. I decided to do a series of these small works and quickly got my hands on eight more 6x6 boards. Now instead of literally watching paint dry on my larger pieces, I am filling that time with these little ladies. As I finish each one in the series I will post them here and put them on Etsy for only $40! Within minutes of listing "Patti" she was featured in a Treasury List!

Wednesday, February 16, 2011

As I See It

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 "As I See It" I would have to call this an illustration rather than a painting, although it does involve paint. I drew and shaded this woman in graphite on heavyweight cold-press paper. After spraying the drawing with a fixative, I painted it with very diluted acrylic paint in muted tones so all the shading would show through. Then I went back through with the graphite to add back in some of the dark shadows lost in the paint. The finished look makes me think of an old-fashioned colorized photograph. I love it when experiments turn out!

The smaller picture below shows it mounted and framed.

Tuesday, February 8, 2011

Eugenia


"Eugenia" I picked up a book at a thrift store the other day called "The Family of Woman". It's a collection of black and white photographs from around the world showing everyday women doing everyday things. This young woman from Nigeria had that "Please paint me!" look in her eyes. This piece is one of the smallest I've ever made, measuring only 6" square. It was done specifically to donate to the "6x6 Show", a fundraiser for Oregon Arts Alliance. I found the small size to be pretty fun! Now I'm looking around the house for more little blocks of wood...

Monday, February 7, 2011

This Is My Body


"This Is My Body" Willing submission. Coming before the other vulnerable, unclothed, keeling, head bowed. Letting go, giving of oneself. Placing complete trust and faith in the other. Powerful by the act of shedding power. A eucharist of self.

Tuesday, February 1, 2011

A Prison Of My Own

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 "A Prison Of My Own" I try very hard to be content, and sometimes even happy, with my world. But the truth is, I am never satisfied. With anything. Ever. I always feel like I am trying to run away and leave something behind, while simultaneously running toward something "better". Even though I have no idea what it is that I'm running from or toward. This is a fairly literal representation of how I feel most of the time: running scared, blind, and ready to trip in my own darkness.

Saturday, January 22, 2011

In The Wings

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In another world I am
Not shy
Not awkward
Not afraid
I sing, I dance
Elegant, graceful
Star of stage and silver

But this world
This life
I wait in the wings








Sunday, January 9, 2011

Just One More Chapter

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"Just One More Chapter" It's been over a month since my last post. Blame the magic that is Christmas.  We spent the week after Christmas at the Oregon coast. Know what happens there at the end of December? Absolutely nothing. Unless you count rain, wind, and hail. We all got a lot of reading done that week; including my daughter who was so engrossed in her book she didn't even notice me sketching her!

Tuesday, December 7, 2010

Dottie

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 Sometimes I take myself far too seriously. And sometimes I don't.

Set Apart For An Instant

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 "Set Apart For An Instant" If I could choose a super power it would be Invisibility. I am a rather socially awkward person and am much more comfortable observing over participating. A lifetime of observation has left me with some favorite moments. Not necessarily individual moments (though there are some great ones!), but moments we share without knowing. We are all guilty of masking our true feelings; especially, it seems, from those we care about most. This painting captures that moment of true emotion just before the smile-for-the-world covers it up.

Monday, November 22, 2010

Convergence

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 "Convergence" Behind the tidiness of converging lines there is a freeform textural element; the grid of lines represent our interactions within society while the swirling element underneath represents the chaos and turmoil that lurks just beneath the surface in all of us.

Or, ya know, something like that...

One of these days I'll be comfortable talking about my abstracts and won't sound like such a dork when I try to explain them. For now, you get this!

Monday, November 15, 2010

Odette

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 Here she is... the completed "Odette". (See the making of her here.) To finish her off I put a glaze of Burnt Umber over the whole thing in a very haphazard fashion. This helped even out and tone down the colors and gave it a richer, almost "antiqued", feel. You can't see it in this picture but the edges of the canvas are beveled and painted a dark brown-black that has been feathered into the painting. The effect is like torn paper edges, as if the portrait was taken from a larger picture or torn from an old scrapbook. When I was done with her I stood back and asked aloud, "So, what's your name?" Odette was the name that popped in my head so I took that as her answer. 

Sunday, November 14, 2010

The Birth of "Odette"

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I always enjoy watching and learning from other artists, so I've decided to share a bit about the process that goes into my painting. I don't use the same method in every painting; partly because the desired outcome can determine the method used to get there, and partly because I like to experiment. I say, "I wonder what would happen if I...." a LOT! I just finished a painting of a woman called "Odette" and took pictures at the end of each major step in the process. Here goes...

 The first step is a rough sketch. I use this to map out body position and, to some extent, the light and shadows. I don't like to plan too much in a painting as I much prefer to throw general ideas out and see where they take me. I don't usually keep sketches since most of them are done on the backs of recycling on their way to the bin.










Next I sketch it out on the canvas (or whatever) first lightly in pencil, then in thinned black paint. I'll add or subtract elements at this point, such as the chair and wall corner seen here. At this stage I like to have the basic premise worked out but I'm still pretty non-committal about everything from color to details.











After that I put in the shading, I limit it to about 2-3 shades of gray plus basic black and white. This is a pretty important stage in the game. On the one hand, every single thing you see here will get covered in another few layers of paint. On the other hand, most of it will show through to some extent so it needs to be on target. This is usually where I start thinking of what colors to add where. I rely heavily on intuition and whim when making those decisions!









 I like to keep my palette pretty limited so the whole piece feels congruent. I like a lot of contrast but find too many colors to be distracting. This, of course, is purely personal preference. When I looked at the expression on this woman's face I felt it showed a bit of sadness, a bit of boredom, and a bit of resignation. It called for cool, subdued colors so I chose muted purples and greens. Both background colors and her dress are all from the same base color, the differences were achieved by adding white or dark brown. You can see how the shading from the previous step is showing through this first layer of color.






 This next step involves more color, usually just a second layer of a shade similar to that applied in the previous step. This is where I start adding in some of the lines lost after the first step. I do a lot of outlining and a lot of general scribbling to finish my work. I want those to be (and look) deliberate so they have to be applied toward the end.










The last step means it's finished.... and I'm not going to show that here! You'll have to check out the next post to see the completed "Odette"!




Saturday, November 13, 2010

Manteca

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 "Manteca" When I paint abstracts I go in with no preconceived ideas of the outcome: not the shape, the palette, the story, nothing. It is simply to satisfy a primal need within my being to paint. Sometimes when I'm done I can see certain emotions or thoughts worked out on the canvas, and sometimes I just see colors and shapes that are pleasing to me. It's interesting to see how the image changes when turned this way or that and determining which way is "UP". When I was done with this one it seemed undeniably landscape-like - even though I typically can't stand landscape paintings. I decided to give it the name of an actual place and went with the first name I came across, thanks to a bottle of Gnarly Head Merlot made in Manteca, CA. And it was deee-licious!

Wednesday, November 3, 2010

Self Sufficient

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"Self Sufficient" Do NOT make me explain this one. My mother reads this blog!

Simple Step

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 "Simple Step" This is another bit o' fun with simplifying the human figure. This was done on untreated wood with very thinned paints applied in layers to really allow the wood grain to come through. 

Question Of Taste

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"Question Of Taste" I've been experimenting with different ways of simplifying the human figure. This one was done on top of a different experiment in creating textural layered backgrounds. Once I was done experimenting, I thought it looked pretty damn decent as one finished piece. So shhhhh... I won't tell anyone this was an accident if you don't.

Saturday, October 30, 2010

Alone Again

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 Sometimes you feel alone because you are, and sometimes you feel alone with someone right there next to you.

Catwalk

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Don't just stand there, let's get to it. Strike a pose, there's nothing to it. Vogue!

This was inspired by fashion illustrations. I'm not in to "fashion" much at all. Kinda just wear what I want to wear and don't follow trends. For the most part I think there have been very few attractive advancements to fashion since the early 60s. That being said, I really enjoy fashion illustrations - yes, even the modern stuff! They're so heavily stylized and often bear little resemblance to the finished product, but I think they're probably a truer representation of what the designer really wants to create.